甘彦君
回复 邱雅筑 :糊涂侦探归来GetSmart,Again!isamade-for-TVmoviebasedonthe1965-1970NBC/CBStelevisionseries,GetSmart!,whichoriginallyairedFebruary26,1989onABC(ironically,thenetworkthatrejectedtheoriginalpilotfortheGetSmart!TVseries).IthassubsequentlybeenreleasedtwiceonDVDbydifferentpublishers.Inthevideoreleaseofthemovie,thebackgroundcannedlaughter(pre-recordedlaughteraddedlatertothesoundtrack),isabsent.OverviewDifferencesbetweenGetSmart,Again!andTheNudeBombThefilmisnotaswellknownastheearliertheatricalrelease,TheNudeBomb,alsobasedonGetSmart,butwasbetterreceivedbyfansoftheoriginalprogram.UnlikeTheNudeBomb,whichfeaturedonlythecharactersofSmart,TheChief(withDanaElcarreplacingthedeceasedEdwardPlatt),Agent13(DaveKetchumintheseries,portrayedbyJoeyFormaninTheNudeBomb,whohadplayedthecharacterHarryHoointheseries)andLarrabee,GetSmart,Again!featuredallofthesurvivingoriginalcastreprisingtheirroles.ThetoneandfeelofGetSmart,Again!werealsoclosertothatoftheoriginalseries.GetSmart,Again!waswrittenandproducedbyLeonardStern,whowasaproduceroftheoriginalseries.OneelementoftheNudeBombignoredcompletelywastherenamingofCONTROLasPITSintheearlierfilm;althoughasCONTROLissaidtohavedisbandedinthe1970s,it'snotimpossibleforbothCONTROLandPITStoexistwithinthecontinuityofthefranchise.BarbaraFeldon'scharacter,99,makesareferencetoT.H.R.U.S.H.,theevilorganizationinTheManFromU.N.C.L.E.,ashowonwhichFeldonguest-starred.ThememusicGetSmart,Again!alsoreprisestheTVprogram'soriginalthememusicandopeningcreditsequence,whichwereabsentfromTheNudeBomb.Inthiscase,however,thecorridorswerecoveredincobwebsandthephone-boothelevatorthatledtoCONTROLheadquartersworkedinreverse,causingSmarttobethrowntothetopofthebooth.SynopsisMaxwellSmart,actingasaprotocolofficersinceCONTROLwasdisbandedintheearly1970s,isreactivatedasacounterintelligenceagentbyCommanderDrury(KennethMars)oftheUnitedStatesIntelligenceAgency.KAOS,longconsidereddefunct,hasbeenrevitalizedbyacorporatetakeover.ItsfirstschemeinvolvesturningaforgottenAmericanscientistandusinghisweathercontrolmachinetoextort$250billionUSdollarsfromtheUnitedStatesGovernment.Drury,convincedthatonlySmarthastheexpertisetocombatKAOS,giveshimcarteblanchetoreactivateformerCONTROLagentstoassisthiminhistask.AlongwithDrury'sbumblingaide,Beamish(SteveLevitt),SmartrecruitsLarrabee(who,believingthathewasunderordersfromRichardNixontostayathispostuntilrelieved,hasbeenlivinginhisofficeinthenow-abandonedCONTROLheadquarterstendinghisofficeplants),Agent13,HymietheRobot(nowemployedasacrashtestdummy)andultimately,hiswife99(BarbaraFeldon)tofindthesecurityleakthatallowedthescientisttodefect,locatetheweathermachineanddisarmit.TheyareopposedbyKAOSmoleswithintheUSIA,whoareabletopredictMax'severymovewiththeaidofstolencopiesof99'sunpublishedmemoirs.ThevisibleheadoftheKAOSschemeisrevealedtobeMax'soldnemesis,Siegfried,butheismerelytheagentofahigherexecutivewhomevenhehasnevermet.ThishigherpowerisfinallyrevealedasNicholasDemente(HaroldGould),99'spublisher,whointendsnotonlytoextortthemoneybutalsotocreateweatherthatwillkeeppeopleeternallyindoorsandinterferewithtelevisionreception,forcingmillionstoentertainthemselvesbybuyingDemente'sbooksandpublications.ComedicstyleThescriptislitteredwithtypicalMaxwellSmartverbalgags,andlargeportionsoftheplotserveonlyassetupsforGetSmart!-stylesightgags(suchasaduelbetweenMaxandaKAOShitmanusingremotecontrolledfilecabinetdrawers).Thefilmalsofeaturesthearrayofbizarregadgetryandpoliticalsatirethatwerehallmarksoftheoriginalseries.Theconeofsilencehasbeensupersededby"HoverCover"whereameetingisheldonarooftopwiththreehelicoptershoveringoverhead.ThefailureofHoverCoverleadstothedevelopmentof"TheHallOfHush",asoundproofroomwherewordsprintoutsilentlyinmidair,asuccessatfirstuntilthewordsbegintoprintforward,backwardandontopofeachother.Maxchangesthewellknownquote"Dr.LivingstoneIPresume"to"Dr.HottentotIPresume".1995revivalTherelativesuccessofthefilmpromptedthedevelopmentofashort-lived1995weeklyseriesonFOX,alsotitledGetSmart,withDonAdamsandBarbaraFeldonreprisingtheircharactersastheirbumblingson,Zach(AndyDick),becomesCONTROL'sstaragent.原班人马啊，好想看。TAT
林立强
回复 李冠光 :搜寻伊娃1996年，感恩而死的作曲家约翰·佩里·巴洛(John Perry Barlow)宣布了网络空间的"精神文明"——"愿它比你们政府迄今建立的世界更人道、更公正"。几年后，这位年轻的意大利人宣称隐私是一个过时的概念，给自己取名伊娃，并将她的日记放在她的第一个博客上。在接下来的几年里，她成为了一名网络明星，一个博客世界的地下偶像，让任何想参与她成熟过程的人都能参与进来。如今，伊娃二十出头，在她作为无政府主义流浪者、社会边缘人物和"女权主义"性工作者的“真实”生活与她作为真实人物的网络人物形象的生活之间摇摆不定。
