鲁冠宇
回复 张珮瑜 :无人生还《无人生还》是阿加莎·克里斯蒂最著名的作品之一，在多种排名中均居榜首。八个互不相识的人，被富有的欧文先生邀请到了印第安岛上的私人别墅里，接待他们的只是管家特夫妇俩。晚餐后，一个神秘的声音揭开了人们心中所各自隐藏着的可怕秘密：指控这十人都曾犯有谋杀罪。当天晚上，年轻的马斯顿先生离奇死去，古老的童谣就像诅咒一样笼罩着所有人，似乎有一双神秘的眼睛在时刻窥视着这场死亡游戏。到访者就像餐桌上十个印地安小瓷人般一个又一个的走向死神……海上起了大风浪，不可能寻得救援或者逃出生天。唯一的求生办法就是找出凶手。他们搜遍荒岛不得终，最后指出凶手就在他们中间。幸存着的人们彼此怀疑，彼此试探，可是一切还是没有能阻止死亡的到来……风浪停息了，岛上的明争暗斗也停息了，只留下了十具尸体，无人生还。究竟谁才是凶手？
王士凯
回复 陈威以 :成人生活技能Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
