王嘉岳
回复 陆欣怡 :受害者/嫌疑人In-depthexaminationofthedarksideofanAmericanjusticesystemwherewomenwhoreportsexualassaultareinsteadchargedwithperjuryandjailedforit.InvestigativejournalistRaedeLeonhasdiscoveredastartlingpatterninrapecasesintheUnitedStates.Namely,thatwomenwhohavereportedasexualassaultaresuspectedoflyingbythepolice.Firsttheyareaccusedofmakinguptheirallegations,latertheyareprosecutedforgivingfalsetestimonyandsometimestheyendupservingprisonsentences.‘Victim/Suspect’showshowtherolesarereversedsotheperpetratorsaredeclaredinnocentwhilethevictimssometimesendupbehindbarsandothertimesendtheirlives.RaedeLeongetsfirst-handaccountsfromthewomenandinterviewslegalexpertsasshedelvesintopolicemethods,interrogationtechniquesandpreliminaryinvestigations,andtheoutcomerevealsacorruptsystem.NancySchwartzmanchartsalawenforcementagencythatconfusesvictimsandsuspectsandisrelevantfarbeyondAmerica’sborders.Itisapowerfultestimonytosystemicfailure,policehandlingofcasesandadeterminedjournalist’sattempttochangeit.
游良洁
回复 李雅青 :之名亚当（AndrzejChyra饰）直到21岁才发现人生的使命就是成为主的仆人。如今他已是波兰乡村的一位牧师，因帮助和挽救问题青少年而深受乡民爱戴。他拒绝了金发女郎伊娃（MajaOstaszewska饰）的求欢，表示已将此身献给上帝——然而这并不是全部原因。当他知道自己喜欢男性后，他就把从事牧师职业当成了对抗这种欲望的手段。直到遇见当地农户之子、沉默寡言的卢卡斯（MateuszKosciukiewicz饰）后，亚当的禁欲心防终于决堤，迎接他的将是生命不能承受之重......作为波兰著名女性导演，玛高扎塔·施莫夫兹卡一直将镜头对准波兰的社会现实。《之名》聚焦“基督教内同性恋”这一禁忌话题，以宗教信仰对决欲望，反思神性与人性的对抗，是一部拥有情感厚度的佳作。电影入围第63届柏林电影节金熊奖，获得了同志电影最高荣誉泰迪熊奖。
